At the theater after my initial reflections on the immensely important work of Get Out, directed and written by Jordan Peele, my first thought was that I hope it is popular for the right reasons. While clearly there are people who are aware of what this film means and knowledgeable about why it is–again I use the word “important”–after my friend and film scholar Mary Dalton (I always rise up and listen closer when she uses that word), I also know that it is making a lot of money and a lot of people are seeing it, especially young people. So my hope is that it is popular for the right reasons with every single person who views it.
This is a movie from the perspective of a young African American man. And it is about how we experience life in a white world–in other words, how we experience everyday life in America. The film portrays the strangeness of the experience of feeling like you are on display. Being asked to speak on behalf of “all African Americans,” dealing with life as an African American football player who your “fans” see as not human but as an animal they would deem useless if you could no longer entertain with beyond-human physical talent (listen to this story from Friday Night Lights author Buzz Bissinger), and otherwise having people treat you as an exotic when you are simply living your life are not even reaching half the iceberg. This strangeness of navigating life in America is exactly what Chris Washington (Daniel Kaluuya) experiences. The outer layer of forced attempts at false normalcy that cannot be contained for very long is what gaslights so many of us into believing that we are the ones who are misconstruing situations when we are not and have never been the problem.
The world of Get Out is the result of the inability of many white people to deal with their deep-rooted feelings of uneasiness around us, and the racist leanings they cannot or do not acknowledge. The longer those notions go unchecked the worse they become. Do not ignore the extremity of the plot line and dismiss it as fiction. What happens is more real than most are willing to admit. Because it can be dismissed as “mere fiction,” what happens takes forms that seem less treacherous and less dangerous, but it is treacherous and dangerous. There are events in the film that are symbolic but also very literal in the mind games and the gaslighting and the devaluing and underestimation of the abilities, hopes, aspirations, and very humanity of African Americans. And it is all rooted in what is termed the original sin of this country. We see the teachery and danger in American life in the ways African American people and immigrants and anyone deemed the “other” are treated. But those not directly affected (and many who are affected) must open their eyes to see it. I hope Get Out is popular for the right reasons for every single person who sees it. If it is, it has opened many, many eyes. It is a masterful film, and its existence makes the landscape so much better and more real.
I feel as I did when I saw Moonlight in the respect that this is a story and a concept that was so overdue. We need to see life from the eyes of African Americans, and the stories need to be truthful.